Last night I mixed The Sounds! Surprisingly, I hadn’t heard them before. This made me feel pretty lame, because a) they’re brilliant, and b) they’re the kind of band I love. Dancy, punky, tons of attitude, great songs. The singer is a little spitfire, and, man, can she sing. Their manager mentioned that they’re looking for a FOH/TM. Hm :-)

I just got my weekly email from iTunes, and was thrilled to learn that R. Kelly has just released the second installment in his Trapped In The Closet series of music video mini-dramas! Trapped In The Closet may be the best music video mini-drama ever. It may also be the only music video mini-drama ever, but that doesn’t take away from its sheer brilliance. You haven’t fully experienced music video mini-drama until you’ve heard the word “spatula” crooned over a dark R&B beat, as the nosy neighbor opens the door to find R. Kelly, his cheating wife, and her jailbird brother heavily armed in a blood-spattered hallway. Awesome! Highly recommended.

The Thieves were back last night, for another maddeningly underattended show. The ten people who were there were privy to one of the better three-piece rock bands currently touring. These guys have gotten so tight! They’re out in support of a new album, and the new material seems a bit groovier, a bit more laid back in the pocket. These guys kick ass.

I’ve been listening obsessively to the new Black Rebel Motorcycle Club record. It’s so good, it’s almost intimidating. Country roots meets Appalachia meets gospel meets symphonic pop. Can’t … stop … listening … wow!

The Rogue Wave tour preparations are well underfoot. It’s astonishing how much minutiae there is. It will be so nice to get off the computer and into the van :-)

Tonight was a three-band bill at the Red Devil. The opening and headlining acts were unremarkable — the former simply wasn’t very good, and the latter had a huge album in the nineties that I didn’t buy. The middle act was Peluka, and they stole the night. They sound like Interpol, if Interpol were less into Joy Division and more into Echo and the Bunnymen. The singer has a fantastic voice, naturally a baritone but with the upper range of a tenor, rich and resonant. The lead guitarist has a gorgeous, shimmery tone, and the rhythm section pushes back against the songs in an almost frictive way. I think that, with a bit of managerial direction, these guys could find an audience much larger than maybe they know right now. I’m eager to hear their next EP, which they’re apparently finishing in LA at the moment with Mark Needham. Check ’em out …

I did Popscene last night, as I do every Thursday when I’m in town. It’s a great gig — somewhat unique, great energy.

Essentially, Popscene is an indie-rock / new wave DJ dance night with a featured band (or sometimes two, like last night for example). It’s put on by Aaron Axelsen, who is the Music Director for Live105 and a tireless champion of new music. Aaron has great taste. Or, at least, his taste and mine seem to be very compatible — I consistently love the bands he finds to bring in, which is why I like this gig so much. No matter what else happens during the week, I can be assured that I’ll get to mix at least one band that I really enjoy.

The evening is 18+, and the crowd skews young — the median age is probably around 23. As soon as the band hits the stage, regardless of who the band is, the crowd crushes the front and goes nuts for them. It’s very un-San Francisco — people dancing and yelling and showing a huge degree of enthusiasm. Usually, in this city, people show their appreciation for a band by not leaving. It’s not a local audience generally given to emotive displays of trancendental abandon. Particularly given how young and hipster-ish the Popscene crowd is, they behave in a remarkably non-hipsterish fashion. It’s surprising, and refreshing, and it’s exciting for the bands. Like I said, it’s a great gig.

Last night’s bands were the magic numbers and the Webb Brothers. The former is a pair of siblings from England. Apparently they’re huge there, but haven’t broken here yet. I would imagine they’ll be at least indie-big within six months. Their songs are beautifully crafted, laced with intertwining harmonies and gripping poignancy, and they perform the hell out of them. “Gorgeous” and “captivating” are descriptions that spring to mind.

The Webb Brothers are three of Jimmy Webb’s sons (maybe all three — I’m not as informed as I could be on Jimmy Webb’s family), plus a non-related rhythm section. They spent some time recently touring the UK with the magic numbers, and this was their last show together — they were visibly moved. It was touching and genuine.

All around, this was a great night of music, put on by a bunch of really nice people. You can’t really ask for a lot more than that :-)

Hey everyone! I’ve just moved secretagentaudio.com to a WordPress platform. It’s more interactive, *way* more professional-looking than anything I could manage on my own, and it will be a good way for people to stay abreast of what I’m up to. My general goal is to post every day that I’m working with music in some capacity … if I come anywhere close to achieving my goal, this site should be content-rich :-)