October 4th, 2014

plugins i like: hornet sw34

I just found an amazing EQ plugin the other day that costs less than $25. It’s made by this little Italian company called Hornet, and it’s called SW34. It’s an analog modeling emulation of the EQ section of some early 80s console – I can’t remember which one offhand, although I know it says on their website if you’re curious.

There are a bunch of things I like about this already. In no particular order:

- Saturation. It’s no secret that I’m a huge fan of saturation, for all sorts of reasons hornet sw34 in the red- compression artifacts, non-linear EQ-related effects, general sonic enhancement and/or degradation. The trick with the saturation on this, as far as I can tell, is to run the input solidly into the red. Like, park it in the red.The channel in question will girth right up. It’s a solid state sort of vibe – more chunky than gooey.

- The upper midrange. I was doing an informal master on something for a friend the other day, and I was having a bit of trouble getting the vocal to pop without sounding overbalanced or aggressive. I went through a bunch of EQs, and nothing felt good. hornet sw34 2500HzThen I put this on the mix, put the upper mid frequency at like 2.5KHz, set the Q to wide, and just nudged the upper mid gain clockwise ever so slightly. I thought I was going to need to go way further than I did. Just a touch of it and the vocal opened up, but without any sort of associated stridency. Just this wonderful presence. I couldn’t have used more than half a dB. I’m not even certain you’re supposed to be putting this on the master bus. It sounded great though.

- Independent in/out buttons for engaging or defeating the saturation emulation – and also the hiss emulation! So many plugins would benefit from this. I get that in order to make a complete and honest emulation, it’s important to include the hiss. I also think that more manufacturers should acknowledge that we don’t always want our mixes covered in hiss, hornet sw34 hiss + sator to have to do hiss mitigation, in service to their 100% accurate emulations. Being able to defeat the hiss and still have the saturation is genius. Or, alternately, being able to have that nice friendly hiss drifting away up there while maintaining the non-saturated integrity of your signal path. All kinds of good options.

- The low end is really tight. Again on that mastering-type situation, I found myself putting the low shelf at like 45Hz and cranking it. The mix I had in front of me was a little skimpy on the low end; no more. But it didn’t get boomy or woofy. Just big.

- Unique highpass filter. 18dB/oct at I think 45Hz? Just high enough to affect only the very bottom end, just tight enough not to have undesirable reciprocal effects in the low mids.

Did I mention it’s ‚ā¨18? So worth it.

http://www.hornetplugins.com/plugins/hornet-sw34eq/


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July 24th, 2014

video debut: tremor low “give blood”

Apparently it’s video week over here. Here’s another video for a song I produced … debuting on Esquire, of all places. Killer video.

http://www.esquire.com/blogs/culture/tremor-low-give-blood-video


 

July 21st, 2014

video debut: mosaic quartet “seasons of silence”

Here’s a brand-new video for a song I produced. Beautifully shot piece, great song.


 

June 17th, 2014

Metaforma is out today

Today marks the release of Shannon’s new record. We’re very proud of it, and we hope you like it. Headphones recommended.


 

March 19th, 2014

arnocorps reissue on alternative tentacles

OK, this is super exciting for me. The first ArnoCorps record, which was one of the first records I ever produced (in 2005!), is being re-released on vinyl on Alternative Tentacles. Yes, that Alternative Tentacles. Home of the Dead Kennedys.

Now, I don’t know about you guys, but I grew up on Dead Kennedys, and Jello Biafra was a hero to me. I used to read about him in newsprint zines that I’d find in record stores on family trips to Boston in the 80s and I was enthralled. His brand of free speech and anti-establishmentarianism seemed revolutionary to 11-year-old me. And those records were vicious. Dead Kennedys could PLAY.

I have all the original AT pressings of the DK stuff, and even some of the 2-for-1 reissue CDs they put out in the 90s … this stuff¬†helped shape my childhood and who I am. I had Lard “Last Temptation Of Reid” in the early 90s … I wore out my VHS copy of the Ministry video where Jello comes out on stage in a diaper … this is all some of the most seminal stuff for me.

So to have something I’ve done enshrined in the same pantheon feels like a tremendous achievement for sure. It’s like being connected to my childhood heroes. Amazing.

ArnoCorps vinyl re-release on Alternative Tentacles


 

March 15th, 2014

producer of the year?

Crazy: I’ve been nominated for Producer Of The Year in the 2013 Independent Music Awards. For my production of Shannon‘s record Cinemascope. So, uh … wow.


 

February 27th, 2014

book debuts at #1

Did I mention that Shannon and I wrote a book? Well, we wrote a book. On house concert touring. And it debuted this week at #1 on Amazon’s Music Business Best Sellers list and also at #1 on Amazon’s Music Business Hot New Releases list. Holy crap!

amazon-best-selleramazon-hot-new-releases


 

January 25th, 2014

100K

Songs I’ve produced/mixed have gotten upwards of 100,000 plays on Soundcloud this week. This is a milestone.

Also, check out my buddy DJ iLL MEDiA‘s fantastic new remix of “Hold Me Back”:


 

January 13th, 2014

new jjxo single

Produced/mixed by yours truly. 20,000+ Soundcloud plays in the first week!


 

December 31st, 2013

happy new year

Here’s something Shannon and I made to help remember old friends by: